Fichier d’origine (1 200 × 1 064 pixels, taille du fichier : 141 kio, type MIME : image/jpeg)

Ce fichier provient de Wikimedia Commons et peut être utilisé par d'autres projets. Sa description sur sa page de description est affichée ci-dessous.

Description

Description
English: This carved head of a male figure was found with several other ivory heads in the Throne Room of the Burnt Palace at Nimrud, including that of a female figure also in the Metropolitan Museum’s collection (MMA 54.117.8). It was probably blackened through exposure to fire when the palace complexes at Nimrud were sacked during the final defeat of Assyria at the end of the seventh century B.C. Originally, this piece may have been part of a composite statuette made of various materials and overlaid with gold foil. The man’s long hair, parted at the center, falls in thick braids and is wrapped by a thin, double fillet. His small mouth and large eyes, which are drilled to receive inlays in colored glass or semiprecious stones, resemble those frequently found on North Syrian ivories. Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C.
Date
Source Metropolitan Museum of Art
Auteur

Conditions d’utilisation

Creative Commons CC-Zero Ce fichier est dans le domaine public selon les termes de la licence Creative Commons CC0 1.0 Universel.
La personne qui a associé une œuvre avec cet acte l’a placée dans le domaine public en renonçant mondialement à tous ses droits sur cette œuvre en vertu des lois relatives au droit d’auteur, ainsi qu’à tous les droits juridiques connexes et voisins qu’elle possédait sur l’œuvre, sans autre limite que celles imposées par la loi. Vous pouvez copier, modifier, distribuer et utiliser cette œuvre, y compris à des fins commerciales, sans qu’il soit nécessaire d’en demander la permission.

Légendes

Ajoutez en une ligne la description de ce que représente ce fichier

Éléments décrits dans ce fichier

dépeint

image/jpeg

d80f2c00d607425a066c1a900c42f12664ae39ba

144 496 octet

1 064 pixel

1 200 pixel

Historique du fichier

Cliquer sur une date et heure pour voir le fichier tel qu'il était à ce moment-là.

Date et heureVignetteDimensionsUtilisateurCommentaire
actuel11 mai 2023 à 10:19Vignette pour la version du 11 mai 2023 à 10:191 200 × 1 064 (141 kio)ColdthingsUploaded own work with UploadWizard

Aucune page n’utilise ce fichier.

Usage global du fichier

Les autres wikis suivants utilisent ce fichier :