Last Supper  |
Автор | Питер Кук ван Альст and workshop (1502–1550) |  | Альтернативные имена | Pieter Cock van Aelst, Pieter Cock van Alost, Pieter Coecke van Alost, Pieter Kock van Aelst, Pieter Kock van Alost, Pieter Koecke van Aelst, Pieter Koecke van Alost | Описание | Фламандский архитектор, скульптор, художник и рисовальщик | Дата рождения/смерти | 14 августа 1502  | 6 декабря 1550  | Место рождения/смерти | Алст  | Брюссель  | Место творчества | Брюссель (1517-1521), Италия (1527), Aalst (около 1527 date QS:P,+1527-00-00T00:00:00Z/9,P1480,Q5727902 ), Брюгге (около 1527 date QS:P,+1527-00-00T00:00:00Z/9,P1480,Q5727902 ), Антверпен (1527), Константинополь, ныне Стамбул (1533-1534), Антверпен (1534) | Авторитетный файл | | |  |
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Название | label QS:Lde,"Letztes Abendmahl" label QS:Len,"Last Supper" label QS:Lit,"ultima cena" label QS:Lnl,"Laatst avondmal" |
Тип | картина  |
Жанр | религиозное искусство  |
Описание | English: The most notable differences between the present version and most others are the simplified checkerboard pattern of the floor and the dog in the foreground that misses its playmate. It is therefore different from the Poznan version as recorded in the RKD, as that painting features a second dog and the more common tiled floor pattern. Other details exclusive to this version include faint lines on Judas' feet, possibly sandal straps, and the stripes on the green garments of the apostle seen from behind. Small biblical scenes are depicted in the background, heightening the impact of the main theme. Through the window we see an archway (in typical Antwerp style) with the Entry in Jerusalem, an episode of the Passion that preceeds the Last Supper. In the ornamented window we can see depictions of the Fall of Man. The medals represent the stories of David and Goliath and the Slaying of Cain. The whole iconography is focused on original sin and mankind's salvation through Christ's sacrifice. |
Дата | 1528  |
Техника | масло по дереву medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
Размеры | высота: 61 см; ширина: 80,7 см dimensions QS:P2048,61U174728 dimensions QS:P2049,80.7U174728 |
История владения (происхождения) | Anonymous sale; Christie's, New York, 5 June 1985, lot 133. Sold at Christie's, New York, 28 January, 2009 lot 253 |
Надписи | dated 'ANNO 1528' (on the medals, center); 'FVNDA.LAPIDE.CLADIO:ViCiT.DAVID.GOLiATH.' (upper left) |
Примечания | as one of the most popular images of the 16th century this image freely combines Leonardo da Vinci's Last Supper in Milan and Marcantonio Raimondi's engraving after Raphaels drawing 1510-1520 with the apostles' gestures from the famous print by Albrecht Dürer 1523. The scene with Cain and Abel is taken directly from a print by another popular Renaissance artist, Мабюз, called Mabuse (active 1503-32). |
Ссылки | код лота Кристис: 5175936  |
Источник/Фотограф | Кристис, LotFinder: entry 5175936 (sale 2135, lot 253, New York, 28 January 2009) |
Другие версии | English: The scene was so popular, that forty-five versions are known today, most versions are dated from 1527 to 1550, of which six or seven versions carry the early date 1528, an exceptionally productive year. |